Third year student Henry Bellingham had an internship with Red Hook Post during the 2017-2018 year and was hired in June as a sound editor for the show Z-Nation on the SyFy Network. Henry’s work on the show includes editing Foley, ADR, and FX (sound effects). SAC Alumni Jaime Marcelo and Ben Kruse Calla are also part of the sound editing team at Red Hook Post! Below is Henry in the Red Hook Post control room.
Over the summer the SAC staff installed and calibrated a new JBL monitoring system in the Control Room for multiple playback scenarios including stereo, 5.1 and 7.1 surround sound, and Dolby Atmos; a twelve speaker, 360˚ surround sound format. Our Atmos system employs four ceiling speakers as well as the full compliment of horizontal speakers creating a totally immersive listening experience. This system will allow students to accurately monitor surround sound projects for broadcast and streaming outlets, commercial theaters, DVD, Blu-ray, and music and game creators. Since this installation represents one of the early adoptions of the Atmos system in a college facility, our students will be at the forefront of Atmos technology training and job placement.
CCNY music faculty member Scott Reeves recorded his latest album Without a Trace at the Center in January of 2015 and 2017. Recently released by Origin Records, the album was recorded by SAC faculty member Paul Special and was assisted by SAC students and staff including Michael Paliocha, Dawid Arciszewski, Jonathan Wright, and Avi Greenstein. Without a Trace features a twenty piece jazz orchestra with some of New York’s finest jazz musicians including saxophonists Steve Wilson (CCNY music faculty) and Tim Armacost, pianist Jim Ridl, and vocalist Carolyn Leonhart (CCNY music faculty). Congrats to Scott and to to the musicians and engineers for creating such a great sounding album!
On March 30, the vocal quartet The Manhattan Transfer released their latest album entitled The Junction. For three days in April of 2017 the Transfer was at the Sonic Arts Center recording vocal parts for The Junction with SAC director Paul Kozel engineering. Additionally, Paul recorded percussionist Luisito Quintero for the album as well. Winy Taveras provided technical assistance for these recording sessions. On April 5, 2018 The Junction reached #1on the iTunes Jazz Chart! The album is available on iTunes, Amazon, Spotify, and Google Play. Congratulations to The Manhattan Transfer and to Paul and Winy on this exciting news! The Manhattan Transfer’s PBS special show with Take 6 will be airing nationwide starting April 26 and will feature songs from the new album.
Paul Kozel is the founding director of the Sonic Arts Center and the guiding force behind it’s curriculum, facilities design, and overall operations. Paul’s professional work includes audio post production dialog editing, sound design and mixing, location music recording, underscore recording, and music recording and mixing. Paul’s work in production and post production audio has been screened at over one hundred film festivals world wide, won numerous awards, and has been covered by news organizations including the New York Times, Chicago Tribune, Los Angeles Times, BBC, NPR, Reuters, Wall Street Journal, and the Village Voice. His projects have included working with Grammy award winners Vince Giordano and Arturo O’Farrill, various ensembles from the New York Philharmonic, Oscar winning actor Melissa Leo, and Oscar nominated actors David Strathairn and Ruby Dee. Paul recorded vocals at the Center for the recent album by The Manhattan Transfer entitled The Junction that placed #1 on the iTunes Jazz Chart just days after its release.
Jonathan Perl is a producer, engineer, songwriter, keyboardist, and sound designer. He is the music production and synthesis coordinator at the Center. Recently, Jonathan has been busy writing, recording, and producing his original songs for his Darklight Songs project. He worked as co-producer, mix engineer and sound designer for the electronic rock duo Cyborg Asylum’s recent album Never Finished, Almost Abandoned. He served as the audio and MIDI consultant with composer Joe Bertolozzi on his Tower Music album, converting over 10,000 audio samples from the Eiffel Tower into sampled instruments to realize the score. From 2011-2013, Jonathan worked in collaboration with climate scientist Marco Tedesco for his project Polarseeds to create dozens of music and sound design pieces based entirely on 54 years of actual climate data. This work has been exhibited around the country through the Smithsonian Institution Traveling Exhibition Service. Regarded as one of the premier experts on the use of Apple’s Logic Pro DAW, Jonathan founded the New York Logic Pro Users Group and Mac Audio Trainers in 2005, and has authored a number of training videos for Logic Pro, as well as various other music software applications.
Paul Special is an award winning audio engineer/producer, studio designer and teacher whose expertise extends into virtually every aspect of the professional audio industry. Equally at home engineering music projects, concert DVD’s, live TV broadcasts, or national television and radio spots, Paul has worked with clients including: Billy Joel, Aerosmith, Stone Temple Pilots, Incubus, Robert Palmer, Carrie Underwood, Nike, Volkswagen, ABC, CBS, NBC, Disney, USA Networks, MTV, VH-1, BET, and ESPN. With his company SAS Corp./Special Audio Services, Paul has conceived the architectural, acoustical and wiring system designs for over fifty recording studios and broadcast facilities around the world, including the initial design for the Sonic Arts Center. In addition to his professional work, Special has lectured and taught a variety of pro audio subjects for the Audio Engineering Society, the Manhattan Producer’s Alliance, the State University of New York at Buffalo, and William Paterson University in NJ.
SAC graduate Guy Rosmarin has worked as an audio engineer for Grey Advertising at their Townhouse Studios for the last nine years. Grey Advertising is one of the largest and most prestigious advertising agencies in the world today. Townhouse Studios provide production and post-production services for the Grey New York office. The facility consists of four Pro Tools suites, ten video editing suites, graphic suites, and a dub (audio mixing) room. Guy works out of one of the Pro Tools rooms and is involved with recording voice overs, editing, mixing (in stereo and surround sound), and creating sound design for TV, radio, and web commercials. Over the years Guy has worked on hundreds of commercials including E-trade Baby, the NFL, Red Lobster, Olive Garden, Papa John’s, Canon, Volvo, Pantene, Downy, Gillette, Tums, TJ Maxx, and Cover Girl. Several of these commercials appeared on various Super Bowl broadcasts and have won the advertising equivalent of an Oscar called the Clio Awards. In addition to his commercial work, Guy also has a extensive experience in audio preservation, restoration, and mastering and has worked with major clients including The Metropolitan Opera, Coca Cola, Harvard University, and the Library of Congress.
Christopher Woll, is the post-production coordinator for the Center. Professionally Chris is a busy dialog editor, sound designer, and re-recording mixer for film and broadcast. Chris has mixed a number of feature films available on Netflix, iTunes and Amazon Prime including the critically acclaimed Split and Punk’s Dead. As a sound designer, Chris has worked on various company logos such as Viacom and its subsidiaries and sound-designed and mixed creative content for Tribeca Films and CNN/Headline News’ four-time EPPY Award Winning Aspireist television series. Additionally, he has composed music for television, including the PBS documentary The Gettysburg Story, MTV’s Catfish, and Bravo’s Top Chef. Chris’ film/broadcast mixes have played on platforms such as PBS, MTV, CNN, HLN, Bravo, and Comedy Central, streaming platforms such as Netflix, Amazon, Hulu, and iTunes, and film venues including AMC theaters, Cannes, Sundance Toronto and TriBeCa film festivals.